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JIM CAMPBELL
Born in Chicago in 1956. Lives and works in San Francisco.
Education: 	Massachusetts Institute of Technology
			B.S. Electrical Engineering, 1978    B.S. Mathematics, 1978
		
Contents:
Solo Exhibitions
Group Exhibitions
Public Collections
Commissions
Selected Professional Activities & Awards
            
        

SOLO EXHIBITIONS

2014			Jim Campbell: Rhythms of Perception, Museum of the Moving Image, Astoria, NY
				Jim Campbell: New Work, Bryce Wolkowitz Gallery, New York, NY
2013			Jim Campbell: At The Threshold, Samek Art Gallery, Bucknell University, Lewisburg, PA
2011 			Jim Campbell: Exploded View, Museum of the Moving Image, Astoria, NY
				Jim Campbell: Static Time, 20 Years of Electronic Art, Espacio Fundación Telefonica, Buenos Aires, Argentina
				Scattered Light, Upper Landing Park, St. Paul, MN, in conjunction with the Minnesota Museum of American Art and Northern Spark Festival
				Jim Campbell: Recent Work, Howard Yezerski Gallery, Boston, MA
				Jim Campbell – Material Light, National Museum of Photography, Copenhagen, Denmark
				Jim Campbell:  4 Works, Hosfelt Gallery, New York
2010 			Jim Campbell: In the Repose of Memory, Eleanor D. Wilson Museum & Roanoke College Galleries, VA (dual exhibition)
				Jim Campbell: New Work, Bryce Wolkowitz Gallery, New York*
				Jim Campbell, Hosfelt Gallery, San Francisco
2008			Jim Campbell: Home Movies, Berkeley Art Museum
2007			Home Movies, Hosfelt Gallery, San Francisco
				Quantizing Effects, Museum of Glass, Tacoma*
2006			4300 Watts, Hosfelt Gallery, New York
				Jim Campbell, College of Wooster Art Museum, Wooster, OH
				Quantizing Effects, Beall Center for Art and Technology, Irvine, CA; Knoxville Museum of Art, TN*
2005			Ambiguous Icons, The Center for Photography at Woodstock
				Jim Campbell: New Work, Byron Cohen Gallery, Kansas City, MO
				Material Light, Bryce Wolkowitz Gallery, New York
				New Work, Hosfelt Gallery, San Francisco
				Quantizing Effects, Site Santa Fe*
2004			Jim Campbell, Palo Alto Art Center*
				Wavelengths, American Museum of the Moving Image, New York
				Maryland Institute of Contemporary Art
2003			Jim Campbell, University of South Florida Contemporary art Museum, Tampa
				Memory Array, Berkeley Art Museum
				Seeing, Exploratorium, San Francisco
2002			Data and Time, Nagoya City Art Museum
				Digital Works, Hosfelt Gallery, San Francisco
				Jim Campbell, Gallery 2211, Los Angeles
				Motion and Rest, Arizona State University, Tempe
2001			Contemporary Configurations, Museum of Art and History, Santa Cruz, CA
				Jim Campbell: Time and Data, Wood Street Galleries, Pittsburgh*
				Time, Memory and Meditation, Anderson Gallery, Virginia Commonwealth University, Richmond
2000			Cohen Berkowitz Gallery, Kansas City, MO
				Hosfelt Gallery, San Francisco
				Yerba Buena Center for the Arts, San Francisco
1999  			Transforming Time: Electronic Works 1990-1999, Nelson Art Museum, Arizona State University, Tempe*
1998			Reactive Works, San Jose Museum of Art San Jose
1997			Digital Watch, Kemper Museum, Kansas City, MO
				Reactive Works, Art Center College of Design, Pasadena
1996			Electronic Art, Cohen Berkowitz Gallery, Kansas City, MO
1995			Dialogue, Rena Branstein Gallery, San Francisco
1994			Hallucination, Southeastern Center for Contemporary Art, Salem, NC
1992			Electronic Art, Rena Bransten Gallery, San Francisco
1991			Hallucination, Fresno Art Museum 

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GROUP EXHIBITIONS

2014			Family Matters: Living and representing today’s family, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy
				Dirge: Reflections on [Life and] Death, MOCA Cleveland, Cleveland, OH
				Presentism: Light as Material, Young Projects, Los Angeles, CA
2013			Of Walking, Museum of Contemporary Photography, Chicago, IL
				Tilted Plane, Hosfelt Gallery, San Francisco, CA
				Art and Optics: The Speed of Communication, Espacio Fundación Telefonica, Lima, Peru
				Transposition: Motion is Action, National Art Museum of China, Beijing, China
				0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art and Penland School of Crafts, Raleigh, NC*
				On Time/ Grand Central at 100, New York Transit Museum Gallery, New York, NY
				Perth International Arts Festival, University of Western Australia, Perth, Australia
				LUMINOUSFLUX:light works, Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Australia
				Light Show, Hayward Gallery, London, England*     
2012       		In Search of Time, Eli and Edythe Broad Art Museum, East Lansing, MI
				Screen Obscura, Hosfelt Gallery, San Francisco, CA
				The Transformative Surface, University of New Mexico Art Museum, Albuquerque, NM
				Look Both Ways, Hosfelt Gallery, San Francisco, CA                                                                                                         
				Rorschach, Phillips de Pury & Company, New York, NY
				Solway Gallery 50th Anniversary, Cincinnati, OH
				Emoção Art.Ficial 6.0 Media Art Biennial, Itaú Cultural, São Paulo, Brazil
				Work by Newly Elected Members & Recipients of Honors & Awards, American Academy of Arts & Letters, New York, NY
				Marking Time, Museum of Contemporary Art, Sydney, Australia*
				Invitational Exhibition of Visual Arts, American Academy of Arts & Letters, New York, NY
				SmartSpace, Fine Arts Gallery, San Francisco State University, San Francisco, CA
				Visions Fugitives, Le Fresnoy – Studio national des arts contemporains, Tourcoing, France
				Fifty Years of Bay Area Art:  The SECA Awards, San Francisco Museum of Modern Art, San Francisco, CA*
				Selected Histories 20th Century Art from the SFMOMA Collection, San Francisco Museum of Modern Art, San Francisco, CA
				Marking Time, Museum of Contemporary Art, Sydney, Australia
2011			Jim Campbell & David Rokeby, Pari Nadimi Gallery, Toronto, Canada
				Re-writing Worlds:  The Fourth Moscow Biennale of Contemporary Art, Moscow, Russia
				Transitio MX:  International Electronic Art and Video Festival, Mexico City, Mexico
				Keeping an Eye on Surveillance, The Performance Art Institute, San Francisco, CA
				Walking + Falling:  Jim Campbell, Chris Marker, & Eadweard Muybridge, Vancouver Art Gallery, Vancouver, Canada
				At Fifty:  Krannert Art Museum, 1961-2011, Krannert Art Museum, University of Illinois, Champaign, IL
				Time Flies, Hosfelt Gallery, San Francisco, CA
				Red (Force Fields), David Richard Contemporary, Santa Fe, NM
				Artist+Artist, Rohde Contemporary, Copenhagen, Denmark
				America: Now + Here, ANH Inc., americanowandhere.org (touring exhibition)
				RAM: Rethinking Art and Machine, THEMUSEUM, Kitchener, ON Canada
				Broodwork:  It’s About Time, OTIS College of Art and Design, Los Angeles, CA
				Paradise Lost, Istanbul Museum of Modern Art, Istanbul, Turkey
				Blink!  Light, Sound and the Moving Image, Denver Art Museum, Denver, CO
2010			Material Evidence, Beach Museum,  Kansas State University, Manhattan, KS
				Outer/Inner, Wood Street Galleries, Pittsburgh
				Shadow Dance, Kunsthal KAde, Amersfoort, Netherlands  
				Unexpected Reflections, Meridian Gallery, San Francisco
				Wall Drawings, Hosfelt Gallery, San Francisco
				Watch This, Smithsonian Museum of American Art, Washington D.C.
2009			Altered States, di Rosa Preserve, Napa, CA
				Art & Electronic Media, Bitforms Gallery, New York
				Artifacts of a Postdigital Age, STRP Festival, KIOSK Gallery, Eindhoven
				Balance and Power: Performance and Surveillance in Video Art, Museum of Contemporary Art, Jacksonville, FL
				Das Jahrhundert des Konsumenten, ZKM, Karlsruhe
				Human Copyright, Musee de la Civilisation, Quebec City
				Inappropriate Covers, Bell Gallery, Brown University, Providence, RI
				Incheon Digital Arts Festival (INDAF) 2009, Incheon Global Fair and Festival
				Le Mois de la Photo à Montréal: Pavel Pavlov et Jim Campbell, SBC Gallery, Montreal*
				Likeness, Mattress Factory, Pittsburgh
				New Work, Hosfelt Gallery, New York
				Seeing as Believing, Axis Gallery, Sacramento
				Tech Tools of the Trade, de Saisset Museum, Santa Clara University, CA
				Texting the Torah, Contemporary Jewish Museum, San Francisco
				Textual Landscapes, Bryce Wolkowitz Gallery, New York
2008			01SJ Biennial, San Jose Museum of Art, San Jose
				Art+Communication:Spectropia, RIXC, Riga*
				Art Taipei 2008-Art Tech, National Taiwan Museum
				ArteFact Capturing Time-Mapping the Moment, STUK, Leuven*
				Balance and Power: Performance and Surveillance in Video Art, Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette*
				California Video, J. Paul Getty Museum, Los Angeles*
				Living Room, National Gallery of Canada, Ottawa
				New Frontier, 2008 Sundance Film Festival, Park City, UT
				Phantasmagoria, Salina Art Center, Salina, KS; Fisher Museum of Art, Los Angeles; Ringling Museum of Art, Sarasota, FL; McColl Center for Visual Art, Charlotte, NC*
				Text Memory,Wood Street Galleries, Pittsburgh
				Twilight, ICA Maine College of Art, Portland
2007			A History of New, Krannert Art Museum, Champaign, IL
				ArteFact, STUK Arts Centre, Leuven*
				AXIOM Gallery/Aspect Magazine Exhibition, Boston Cyberarts Festival
				Closed Circuit, Video and New Media at the Metropolitan, The Metropolitan Museum of Art, New York
				E-Art: New Technologies and Contemporary Art; 10 Years of Action of the Daniel Langlois Foundation, Montreal Museum of Fine Arts
				Home Sweet Home, San Jose Institute of Contemporary Art
				Luminaries and Visionaries, Kinetica Museum, London
				Mouth Open Teeth Showing, Henry Art Gallery, University of Washington, Seattle
				Outside The Box, Cornerhouse Gallery, Manchester, UK
				Phantasmagoria, The Contemporary Museum, Honolulu; Biblioteca Luis Angel Arango, Bogota
				Speed3, Instituto Valenciano de Arte Moderno (IVAM), Valencia
2006			Art Koln, Cologne, Germany
				Auflosung I High Definition, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin*
				Auflosung II Rausch/en / Signal Noise, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin*
				City Gaze (Die Stadt hat Augen), "Spots" Light- and Media Façade, Berlin
				Crossing the Screen, inter media art institute (IMAI), Dusseldorf
				Balance and Power: Performance and Surveillance in Video Art, Rose Art Museum, Brandeis University, Waltham,MA
				DANM Festival, Museum of Art and History, University of California, Santa Cruz
				Edge Conditions, San Jose Museum of Art
				The First Illusion: The Transitional Object, Palo Alto Art Center
				Icons, Krannert Art Museum, Champaign, IL
				Inaugural Exhibition, Hosfelt Gallery, New York
				The Infrastructural Image: Recent Bay Area Video, Film, and New Media Art on the City, Vancouver International Film Center
				Locating the Photographic, Tasmanian School of Art, Hobart, Australia
				Measure of Time, Berkeley Art Museum 
				The Message is the Medium, Jim Kempner Fine Art, New York
				Mixed Media Project, Count Down, Milan
				Smart Art / Liet Motiff, European Media Art Festival (EMAF), Osnabrueck, Germany*
				What Sound Does a Color Make?, Center for the Visual Arts, Denver; Govett-Brewster Gallery, New Plymouth, New Zealand; Center for Art and Visual Culture, Baltimore*
2005			Art Koln, 235 Media, Koln, Germany
				AxS: At the Intersection of Art & Science, Cal Tech and The Armory Center, Pasadena
				Balance and Power: Performance and Surveillance in Video Art, Krannert Art Museum, Champaign, IL
				Climax: The Highlight of Ars Electronica, National Taiwan Museum of Fine Arts*
				Exquisite Electric, Grand Central Art Center, California State University Fullerton, Santa Anna
				Intelligent Distribution: 10 Artists Respond to Technology, University Art Gallery at Sonoma State University, Rohnert Park, CA
				Mois Multi 2006, Les Productions Recto-Verso, Quebec City
				Siggraph 2005, Los Angeles Convention Center
				Singular Expression, Sheldon Memorial Art Gallery, Lincoln, NK*
				Techno Sublime, University of Colorado Art Museum, Boulder*
				What Sound Does a Color Make?,Wood Street Galleries, Pittsburgh; Eyebeam, New York*
2004			Algorithmic Revolution, ZKM, Karlsruhe
				Gravity and Light, Skirball Cultural Center, Los Angeles
				Image and Idea, Gallery C, Los Angeles
				Lineaments of Gratified Desire, Catherine Clark Gallery, San Francisco
				Memory, Salina Art Center, Salina, KS
				The Passage of Mirage, Chelsea Art Museum, New York
				Time, Space, Gravity and Light, Skirball Cultural Center, Los Angeles
2003			After Image,Wood Street Galleries, Pittsburgh
				Art Apparatus, Bryce Wolkowitz Gallery, New York
				Bytes and Pieces, San Jose Insitute of Contemporary Art
				The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME; Kemper Museum of Contemporary Art, Kansas City, MO
				House of the Tomorrow, Experimenta, Melbourne*
				ID/ENTITY: Portraiture in the 21st Century, SF Camerawork, San Francisco
				Microwave03 Festival, Kowloon, Hong Kong
				Surface Tension, The Fabric Museum, Philadelphia
2002			Artficial Emotion, São Paolo, Brazil Busan Biennial, Busan Metropolitan Art Museum
				Busan Biennial , Busan  Metropolitan Museum of Art, South Korea
				Future Cinema, ZKM, Karlsruhe; Kiasma Museum, Helsinki; and ICC, Tokyo*
				High Tech / Low Tech Hybrids, Bedford Gallery, Walnut Creek, CA
				Media Art, ZKM, Daejon Municipal Museum of Art, South Korea*
				Situated Realities, Maryland Institute College of Art, Baltimore
				Taipei Biennial, Taipei Fine Arts, Museum, Taiwan*
				Walkways, Portland Institute of Contemporary Art, Portland, OR*
				Whitney Biennial, Whitney Museum of American Art, New York*
2001			Bitstreams, Whitney Museum of American Art, New York
				Conceptual Colors in Albers' After Image, San Francisco State University
				Eureka Fellowship Show, San Diego Museum of Contemporary Art
				Figuration, Hosfelt Gallery, San Francisco
				Highlights Festival, Montreal
				Interaction '01, Gifu, Japan*
				Untitled, Gallery 2211, Los Angeles
2000			Ars Electronica, Linz, Austria*
				Direct Current, Byron Cohen Gallery, Kansas City, MO
				Eureka Fellowship Show, San Jose Museum of Art
				Illuminations, Ackland Art Museum, Chapel Hill, NC
				Plugged In, Todd Madigan Gallery, California State University, Bakersfield
				Scanners, California College of Arts and Crafts, Oakland
				Timekeepers, SF Camerawork, San Francisco
				Vision Ruhr, Dortmund, Germany*
1999			The Body, Salina Art Center, Salina, KS
				Digital Hybrids, McDonough Museum, Youngstown, OH* 
				Electronic Art, Weston Art Gallery, Cincinnati
				Facing Fear, San Francisco Arts Commission Gallery
				New Voices New Visions, University Art Gallery, University of California, San Diego
				The Photographic Image, National Museum, Kwachon, South Korea
1998			Art & Technology, Duke University Museum, Durham, NC*
				Bay Area Technology Art, Haines Gallery, San Francisco
				Body Mecanique, Wexner Art Center, Columbus*
				Digital Poetics, Sherry Frumkin Gallery, Los Angeles
1997			451 Degrees, San Francisco Arts Commission Gallery
				Digital Decisions, Art Academy of Cincinnati, OH 
				ICC Bienalle, ICC Center, Tokyo*
				Interaction '97, Gifu, Japan*
				Meditations in Time, San Francisco Museum of Modern Art
				Serious Games, Barbican Gallery, London*
1996			Creative Time-Art in the Anchorage, Brooklyn
				Interactivity, Salina Art Center, Salina, KS
				Mortal Coil, Sesnon Art Gallery University of California, Santa Cruz
				Seca Awards Show, San Francisco Museum of Modern Art
				Techne, San Francisco Arts Commission Gallery
				Transformers, Auckland City Art Gallery*
1995			Art as Signal, Krannert Art Museum, University of Illinois, Champaign*
				Biblio Vertigo, Northern Illinois University, DeKalb, IL* 
				Digital Mediations, Art Center College of Design, Pasaden
				Hotel Interactional, Gallery Otso, Helsinki
				Interaction '95: Dialogue with Media Art, Gifu, Japan*
				ISEA 95, Montreal (Collaboration with Elliott Anderson) New York Digital Salon
				New York Digital Salon, New York
				Press/Enter, Power Plant, Toronto*
				Techne, Los Angeles Center for Photographic Studies, Los Angeles
				Unpredictable Memories, Capp Street Project, San Francisco; collaboration with Marie Navarre
1994			Color in the Shadows, California College of Arts and Crafts, Oakland
				InterActive,Works Gallery, San Jose
				ThreeVisions, Carpenter Center, Harvard University, Cambridge,MA
1993			A New Sensation, Seybold Conference, San Francisco
				Iterations, International Center of Photography, New York*
1992			Facing the Finish, San Francisco Museum of Modern Art*
1991			Le Printemps de PRIM, Montreal
1990			Bay Area Media, San Francisco Museum of Modern Art Fifteenth Anniversary Show, New Langton Arts, San Francisco
				Fifteenth Anniversary Show, New Langton Arts, San Francisco
				Inner Tensions, Pro Arts Open Studio, Emeryville, CA
      
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PUBLIC COLLECTIONS

Arizona State University Art Museum, Tempe
Austin Museum of Art
Berkeley Art Museum
Blanton Museum of Art, Austin
Cincinnati Art Museum
Denver Art Museum
de Young Museum, San Francisco
Fisher Collection, San Francisco
Knoxville Museum of Art, Knoxville, Tennessee
Metropolitan Museum of Art, New York
Musée des beaux-arts de Montréal
Museum of Contemporary Art, San Diego
Museum of Modern Art, New York
Newark Museum
Collection of Phoenix Percent for Art Program
San Diego County Regional Airport Authority, San Diego International Airport
San Francisco Museum of Modern Art
San Jose Museum of Art
The Society for Arts and Technology [SAT], Montreal
Collection of the Tempe Arizona Public Art Program
US General Services Administration, Denver
University of California, San Francisco
Whitney Museum of American Art, New York 

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COMMISSIONS

2010-17 		Werner Klotz & Jim Campbell  Reflecting Ribbon, The New San Francisco Central Subway, Union Square Market Station
2010-13 		The Journey, San Diego County Regional Airport Authority, San Diego International Airport, San Diego, CA
2013       		Exploded View (Dallas Cowboys), The Art Collection, Dallas Cowboys Stadium, Arlington, TX
2012       		Constellation, Alonzo King LINES Ballet, San Francisco, CA
2010-11 		San Francisco Arts Commission, Urban Reflection, Lights on Market ARTery Project, San Francisco, CA
				Madison Square Park Conservancy, New York
2009			Sotto Voce, St. Sulpice Cathedral, Paris, with Benjamin Bergery
2006			Annonciation / Annunciation, St. Sulpice Cathedral, Paris, with Benjamin Bergery
				Gait Studies in Low Resolution, "Spots" Light- and Media-Façade, Berlin
2005			Ocean Mirror, University of California San Francisco
				Wave Map, Byron Rogers Federal Courthouse, Denver
2002			Primal Graphics, Creative Time, Battery Park, New York
2001			168 Light Bulbs,Wood Street Galleries, Pittsburgh
				Set design for ODC Dance Troupe, San Francisco
				Building Memory,Westside Center, Tempe, AZ; Tempe Arts Commission 1% for Arts Program
				White Circle, Highlights Festival, Montreal
1998			Untitled (with Eliott Anderson), San Francisco ArtsCommission 1% for Art Program
1995			LAC Project, Montreaux, Switzerland, with Su-Chen Hung
1992			Ruins of Light, America West Sports Arena, Phoenix, AZ; Phoenix Arts Commission 1% for Art Program 
            
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Selected Professional Activities & Awards

2012			13th Annual Bay Area Treasure Award, San Francisco Museum of Modern Art
				Arts & Letters Award, American Academy of Arts & Letters, New York
2003-2004		Guggenheim Fellowship Award
2002-2003		Langlois Foundation Grant, Montreal, Quebec
2000			NEA Selection Panelist for Museum Grants
2000			Langlois Foundation Grant, Montreal, Quebec
2000 			Ars Electronica, Linz, Austria Honorable Mention: Interactive Art
1999-2000		Rockefeller Foundation Fellowship Award in Multimedia
1999-2001		Eureka Fellowship Award, Fleishhaker Foundation
1998			Ars Electronica, Linz, Austria Honorable Mention: Interactive Art
1996			Lecture Museum of Modern Art N.Y.
				SECA Award, San Francisco
1993-1997		Artists Advisory Panel 
				Yerba Buena Center for the Arts, San Francisco
1994			Phoenix Arts Commission Selection Jurist for the new
				Arizona Science Center Public Art Project
				"Artists in Color in the Shadows Show" panel member at
				California College of Arts & Crafts.

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