The video for this series was “taken in the days directly following 9/11, and seems to be within the penumbra of the collapse of the twin towers but are actually taken on Fifth Avenue, cut away from the locus of the horror.” (Steve Dietz, Quantizing Effects: The Liminal Art of Jim Campbell). The works contain different configurations of the plexiglass in relation to the LED screens to create various diffusions of the visibility of the LEDS.
The video for this series was “taken in the days directly following 9/11, and seems to be within the penumbra of the collapse of the twin towers but are actually taken on Fifth Avenue, cut away from the locus of the horror.” (Steve Dietz, Quantizing Effects: The Liminal Art of Jim Campbell). The works contain different configurations of the plexiglass in relation to the LED screens to create various diffusions of the visibility of the LEDS.
The video for this series was “taken in the days directly following 9/11, and seems to be within the penumbra of the collapse of the twin towers but are actually taken on Fifth Avenue, cut away from the locus of the horror.” (Steve Dietz, Quantizing Effects: The Liminal Art of Jim Campbell). The works contain different configurations of the plexiglass in relation to the LED screens to create various diffusions of the visability of the LEDS.
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